The FrontOffice Foundation, the charity of director/producer Wendy C. Goldberg’s TheFrontOffice (entertainment company), awards a $25,000 mid-career grant to Mina Morita, Director of Artistic & Artist Development at Crowded Fire Theater Company . It’s her one of the largest financial awards for an individual director. This important first grant, based on both merit and need, honors both the career of this worthy artist and addresses the gender inequalities that continue to exist in the field of women-identifying directors. We aim to keep it in the spotlight.
“I am amazed and humbled to be recognized by this accomplished panel of colleagues. Wendy C. Goldberg, The FrontOffice Foundation, Peggy J. Koenig, Jerry & Roz Meyer, Director Rachel Chavkin’s life-changing generosity I am grateful to Tamira Woodard, Leah Debessonne, and Lila Neugebauer,” commented Mina Morita. “For me, the significance of this moment is a recognition of my long-standing dedication to the Bay Area theater ecosystem as an arts leader. The resources I receive will focus on my ongoing development as a Director through various trainings and retreats, working with BIPOC-focused companies, and otherwise bringing me into the development process as a Suburban Director. I may not have the funds to invite, and I will pay my way for healthcare support after 10+ years.”
The selection committee was led by Wendy Goldberg, Patricia McGregor, Robert O’Hara, Lisa Peterson and Chey Yu. The grant’s primary funders include director Rachel Chavkin (Hadestown), Tamirah Woodard, Pam McKinnon (Clybourne Park), Leah Debesonnett (Into the Woods), Wendy C. Goldberg and The Front Office, Lila Neugebauer, and individual donor Peggy J. Koenig (Producer). Jerry and Roz Meyer (supporters).
Wendy C. Goldberg said: “I started the foundation in hopes of supporting performing artists during the pandemic, but before the pandemic hit, it was very difficult to find that there was little to no support available to mid-career directors. There was no award of this magnitude.Through the SDC “On the Edge Study,” I learned that female directors drop out of membership when they should be doing well, and my community We know it’s all true, and it’s been confirmed by the data.This grant not only draws attention to supporting directors, but also allows other funders to support our country’s most talented artists. You can also encourage them to create structures for
(She/She) is the Director of Arts and Artist Development for the Crowded Fire Theater Company. An acclaimed new theater director, Mina has worked with Guthrie Theatre, Yale Repertory Theatre, Berkeley Repertory Theatre, Magic Theatre, Center Repertory Company, American Conservatory Theatre, Campo Santo, Shotgun Players, Playwrights Foundation, TheaterFirst, Ferocious Lotus, Bay I have worked in the area. Susan Soon Hee Stanton, Kui Nguyen, Anna Deaver Smith, Star Finch, JC Lee, Christopher Chen, Lauren Gunderson, Isaac Gomez, Philip Kang Gotanda, Young Jean Lee, Idris・Children’s Theater by creators such as Goodwin, Berkeley Playhouse, Crowded Fire, Lloyd Hsu, Dave Harris, Amelia Roper, Adam Changit, Sean San Jose, Ming Karn, Wes Nisker, Dustin Chin.Mina is a Theater Bay Area Winner [TBA] Winner of Outstanding Directing of a Musical in 2014, he was nominated for Outstanding Directing of a Play by the TBA in 2017, and was named Best Director at the 2018 Shelley Awards. She was recognized as a Beinecke Her Fellow at Yale University in 2022, and was named a Berkeley representative in the spring of 2023. She previously served as her Associate Artistic at Berkeley She Repertoire Her Theater and her floor at The Ground, which is central to the production and development of its new work. She also served as president of the Shotgun Players board. As a participant in the 2014 Lincoln Center Directors Lab. As one of her founding members of the Bay Area Children’s Theater. As a panelist for the Zellerbach Family Foundation, San Francisco Arts Commission, Theater Bay Area, and Hewlett Foundation. As a speaker at the Getty Leadership Summit. Lead facilitator of the Lotus Playwriting Retreat with Playwriting Australia. Guest her artist at UC Berkeley and Stanford University. Her commitment to ED&I and anti-racism activism extends to participation in groups such as: Bay Area Artists for Racial Justice, Making Good Trouble Anti-Racist Training Program, Bay Area Accountability Workgroup, TCG’s Her ED&I Institute, and the Hewlett Foundation. In 2016, the TBA awarded her her 40 @ 40 Award, recognizing her influence on her theater in the Bay Area. In 2015, Mina was honored to share her own story on her TEDx. In 2016, she was named one of the YBCA100, where she “asks questions and provokes to shape the future of culture.”
Founded in 2019, Wendy C. Goldberg’s TheFrontOffice is an entertainment development company that specializes in crossover content from live theater to new media. The intersection of her 20 years of experience in Goldberg’s theater and her experience as a director of Rockstar’s performance of her game, TheFrontOffice develops contemporary content and stories. The company’s charity, her TheFrontOffice Foundation, was founded in 2020 to support the live theater community during an era of industry shutdown. They are now focused on how they emerge from this chapter. Their support comes in a variety of ways, including direct relief to artists, commissions and grants. To this day, they partner with her TCG and SDCF in relief efforts. TheFrontOffice Foundation has also partnered with the Broadway design community on its 1/52 project to help diversify Broadway’s design population, and this year will award her more than $100,000 grant to her seven early careers. Distributed to design winners.
These efforts distributed $500,000 in aid to corporate donors as well as individuals. Donors come from all sectors and are primarily individuals interested in supporting theater artists. More info about donating: https://give.cornerstone.cc/frontofficefnd.